All posts by Admin

Sixty Years and still going!

It was over sixty years ago, that a group of “Artists” got together and formed what was to become White Rock Painting and Sketch Club in 1962 and later know as the South Surrey and White Rock Art Society. Today they are one of the largest art groups in the Lower Mainland and have a waiting list of over one hundred people.

History 1959 to 1977

1959-1977-SSWRAS-History

History 1978 to 1992

1978-1992-SSWRAS-History

The view of Sea to Sky Gondola – Story of Success!

Hello to all artist members of SSWRAS,
My painting ‘The view of Sea to Sky Gondola’ has won the second place in the juried art exhibition “2019 Scenes from Western Canada” and now is displaying at the FCA Gallery on Granville Island. Please check the information through the link below:
https://artists.ca/show/2019_scenes_from_western_canada


Because I did not received any email that announced the award information in advance until I went there to visit the art show and then found the surprise to me. Sorry about the kind of rush information.
The juried art exhibition is keep going until Sept. 15th.
Time & Hours: September 02-15, open 7 days a week, 

                        Monday-Saturday, 10:00 to 5:00 PM, 

                         Sunday, 10:00 to 3:00 PM

Location: FCA Gallery, 1241 Cartwright street, Vancouver

There is no opening reception. Sincerely welcome all artist members to visit the show. Hope that you all will enjoy the luxurious art trip and the beautiful scenery on Granville Island. Please let me know what you think and welcome any critique or opinion to me, thanks a lot to you all! 

Best wishes,

Chiao Chiao Yang

Visual Artist

Handy Tips for Acrylic Painters

All paint is a combination of a ‘glue’ and pigment. The glue in acrylic paint is a plastic consisting of microscopic spheres of polymer suspended in water. When the wa-ter evaporates as the paint dries the spheres come to-gether to bind the pigment. Make sure you use only a little water to thin your paints so the ratio of spheres to water is not diluted. This dilution can affect the paint’s bonding ability. Use Polymer Medium as a thinner in-stead.
Polymer Medium is available in Matte and Gloss and may also be used for glazes. Matte Medium is dull be-cause it contains a powder made of ground crustacea. The microscopic particles of the powder have jagged edges which hinder light refraction, thus giving a flat finish. Gloss Medium is clear and therefore shiny. Don’t use Matte Medium for thick or multi-layered glazes. The effect of the powder clouds the layers thus dulling the colours and forming a ’fogged’ appearance..

What is Broken Colour?

Broken colour is a technique which was introduced by the NeoImpressionists), whereby colours on the canvas are made up of small flecks and dashes of paint.   The development of colour theory by the late 19th century played a pivotal role in shaping the Neo-Impressionists’ style. They acknowledged the different behaviors exhibited by coloured light and coloured pigment. While the mixture of the former created a white or gray colour, that of the latter produced a dark, murky colour. As painters, NeoImpressionists had to deal with coloured pigments, so to avoid the dullness, they devised a system of pure-colour juxtaposition. Mixing of colours was not necessary. The effective use of pointillism produced a luminous effect, and from a distance, the dots came together as a whole displaying maximum brilliance and conformity to actual light conditions.

 

What Is Gouache?

Before the advent of computer-generated design, gouache (the word is French and is pronounced ‘gwash’ or ’goowash’) was the most popular painting medium in professional design studios, where it was widely used to create crisp visuals and illustrations in solid colour that reproduced well in print.  Gouache is, in fact, a refinement of the more familiar poster paints, but the quality and permanence of pigments used in good brands are far superior.  Also known as body colour, gouache is a water-based paint with chalk or blanc fixe added to create opaque colour with good covering power, which can be further enhanced with the addition of Permanent White. It dries to a matt, chalky finish and can be used on its own or with transparent watercolour.  Considering it is so versatile, gouache is an underrated medium. Use it in dilute washes to achieve attractive misty effects. Thicker gouache creates a more rugged finish, ideal for bold, energetic paintings. A starter palette might include Cadmium Yellow, Cadmium Red, French Blue, Raw Umber and Yellow Ochre, plus Permanent White.