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Tips for Removing Stuck Paint Tube Caps

Keep a small pair of pliers or some nutcrackers handy for easing off stuck caps. Or place a clothes pin around the cap, hold firmly and twist.
 Use a small piece of non-slip rubber shelf liner to get a grip on the top of the tube. It works better than pliers and doesn’t damage the cap.
 If you can’t get the cap off, snip off the bottom of the tube to get the paint then close it again with a bulldog clip.
 Invert the tube and soak it for a few minutes in a cup of hot water.
 Apply Vaseline around the top of the tube or inside the threads of the cap before you put it back on to prevent sticking.

What is Broken Colour?

Broken colour is a technique which was introduced by the NeoImpressionists), whereby colours on the canvas are made up of small flecks and dashes of paint.   The development of colour theory by the late 19th century played a pivotal role in shaping the Neo-Impressionists’ style. They acknowledged the different behaviors exhibited by coloured light and coloured pigment. While the mixture of the former created a white or gray colour, that of the latter produced a dark, murky colour. As painters, NeoImpressionists had to deal with coloured pigments, so to avoid the dullness, they devised a system of pure-colour juxtaposition. Mixing of colours was not necessary. The effective use of pointillism produced a luminous effect, and from a distance, the dots came together as a whole displaying maximum brilliance and conformity to actual light conditions.

 

What Is Gouache?

Before the advent of computer-generated design, gouache (the word is French and is pronounced ‘gwash’ or ’goowash’) was the most popular painting medium in professional design studios, where it was widely used to create crisp visuals and illustrations in solid colour that reproduced well in print.  Gouache is, in fact, a refinement of the more familiar poster paints, but the quality and permanence of pigments used in good brands are far superior.  Also known as body colour, gouache is a water-based paint with chalk or blanc fixe added to create opaque colour with good covering power, which can be further enhanced with the addition of Permanent White. It dries to a matt, chalky finish and can be used on its own or with transparent watercolour.  Considering it is so versatile, gouache is an underrated medium. Use it in dilute washes to achieve attractive misty effects. Thicker gouache creates a more rugged finish, ideal for bold, energetic paintings. A starter palette might include Cadmium Yellow, Cadmium Red, French Blue, Raw Umber and Yellow Ochre, plus Permanent White. 

Getting to Know You

Carole
Our GTKY subject this month is Carole Milne. Carole does a sterling job of keeping our website up to date, organizing and taking care of weekend workshops, the Thursday night free classes and also working on the Society handbook
“I started out with the Coquitlam Fine Arts in 1988, then moved to Burnaby and was a member of the Richard Major Group of Artists and the Burnaby Artist Guild for approximately ten years (I was an executive member for two years). I was a member of the Eileen Fong Gallery in Tinsel Town for five years. This was a working co-op of artists and was a fun time for all the artist involved. A big thank you to Eileen Fong for developing and organising this. Eileen is also a member of SSWRAS.
We moved to South Surrey from Burnaby (Deer Lake area) in 2010 and I joined the White Rock Arts Council (now Semiahmoo Arts) first and then the South Surrey and White Rock Art Group. I was also a member of The Delta Artist Guild in Tsawwassen for one year. I am currently a member of the SSWR Art Society, Semiahmoo Arts and an active member of The Canadian Federation of Artists.
I started with Coquitlam Fine Arts in 1988 shortly after my husband died suddenly. I was 40 and starting a new life and I decided I was going to do something for myself that I had always wanted to do and never had the chance to. I thought awhile about what I should do and it was art, so I joined Coquitlam Fine Arts working in watercolour.
I have had two episodes of health concerns in my life that prohibited me from painting for long periods of time. In 2005 it was discovered that I was going blind. Thank God they had an operation to fix that, as it was both eyes. Unfortunately I lost my fine vision and had to change my method of painting and could no longer do very detailed work. In 2010 I was diagnosed with a serious, fast-spreading cancer. I was out of commission both times with numerous operations for about five years, but as soon as I could I went back to painting.
I love to learn about art, and learn more by doing than reading, so the Thursday night classes being set up are right up my alley. I enjoy all the members and hope that they are enjoying and learning from this experience. I really feel that SSWRAS is the best art group around and we offer the most to our members of any art organisation in the lower mainland. This is thanks to all the work put in over the years by some of our members who raised so much money to allow us to be in this position. The group of executives we have right now are real thinkers and doers, and not afraid to step outside the box to accomplish things, to the good of all of our members.
I originally started with watercolours painting mostly flowers, then landscapes and a lot of people in detailed costumes with very small one or two haired brushes. I continued to paint in watercolour for about 25 years. I started using acrylics and did not like them at all, but I continued trying them again every once in awhile. I didn’t like the fast drying time and found it hard to achieve the colours I wanted so I put them away for a few years. Then I tried oils and really loved the blending you could do with them. Then I went back to acrylics and now I really like them and have been painting more in acrylics than watercolour or oils. Depending on the scene I try to determine which medium would be best for the subject matter.
I originally painted flowers, but now landscapes primarily. I also enjoy doing funky things and abstract. I love variety, so nothing is the same. Variety is the spice of life. I love to do palette knife work, but I’m still working on the best methods for this and on my strokes.
My favourite colours are blues, red, oranges and purple. In addition to painting I like designing and making clothes. I am also a quilter.
Some of my favourite artists are: Emily Carr, Norman Rockwell, Robert Genn, Tony Onley, Steven Quiller, Kihai Kececi, James Koll, Lalita Hamill, Robert McMurray, Georgina Johnstone, Sheryl Walker and Anne Morrison.
On my travels I have visited: Stephen Quiller’s Gallery, in Crede, Colorado (I also took a weekend workshop with him in Sydney, B.C.); The Norman Rockwell Museum and Studio in Stonebridge, Massachusetts; and Georgia O’Keefe’s Museum in Santa Fe, New Mexico.
One tip I’d like to share is—keep practicing, eventually you will get it. It’s all a matter of learning. Don’t give up. I’ve just discovered spatulas and I love them.
I’m working on a variety of things at the moment. The big one is studio cleaning and reorganizing, so I will be able to work better. I’m also working on the courses for SSWRAS, the website, the Society handbook and I’m also trying to find time to paint—which is happening. So I’m a happy camper.”

Georgina’s Tips on Acrylic Paint

 PROPERTIES OF ACRYLIC PAINTS

A by-product of the then new plastics industry, acrylics were invented in the 1950s. They are as versatile as oil paints and have some unique qualities of their own.

One of these—vital from the beginners’ point of view—is that they dry very quickly, so that you can overpaint as much as you like. You can, of course, overpaint with oils but, because they are slow-drying, there is always a risk of churning up the colours and creating a muddy mess. Acrylics, once dry, are immovable, so that each new layer completely covers the one below without picking up any colour from it. Another advantage is that you can paint on more or less anything, from paper and board to canvas, and the surface needs no preparation or “priming”. 

The disadvantages of acrylics are that changes to the picture can only be made by overpainting, and the paint dries so fast that it cannot be moved around on the surface to the degree that oil paints can. Also, brushes must always be left in a container of water or washed regularly, otherwise they will be ruined. However, the virtues of acrylics far outweigh these minor vices, and those new to painting could find them the perfect medium with which to begin. Continue reading Georgina’s Tips on Acrylic Paint

February Art Challenge Winners

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The title ‘Fire’ was our February art challenge and it produced a wonderfully varied group of entries ranging from collage to pastel. After the voting the winners from left to right were Sheila Leeder (1st), Donalda Gauthier (2nd) and Audrey Bakewell (3rd). Congratulations ladies!  Opus Art Supplies donated the Gift Cards.   Thank you to everyone who participated..